The Stady of the Structurral of "Malhamat Al-Hossein" of George Shakour bassed on formalism school
Mahin
Hājizādeh
عضو هیئت علمی دانشگاه شهید مدنی آذربایجان
author
حکیمه
مطلبی
شهید مدنی آذربایجان
author
text
article
2016
per
Since their appeal of artworks is because of their structural quality and this is the structure of work that with its type of function in terms of language expressive and aesthetics can reach the value amony other works. And as a literary work is known in the community and since the formalists evaluate the literary works by structural approach and by declaring issues such as defamiliarization and foregrounding tryes to show the literacy of work that it can be done through deviation and rule synergy. Therefore Malhamat AL-Hossien of George Shakour the Lebanon poet is one of the best texts for evaluating from the prespective of formalist. This study seeks to rely on analytical method to analyze the structure of Malhamat AL-Hossien bessed on formalist school. Analysis of verses of malhameh suggests that not only this poet highlighted his language by means of deviation tricks and rule synergy but also by means of this literary techniques and linguistic and artistic styles established an appropriate link between context and from of work. And also with the correct choice of rhyme he has been increased the music of his poem language and it has provided to the community as a literary masterpiece.
Religious Literature and Art
Islamic Sciences and Culture Academy
2538-5704
1
v.
3
no.
2016
9
39
https://jrla.isca.ac.ir/article_22874_260ac44bfdc80aae9aa3821704174b00.pdf
dx.doi.org/10.22081/jrla.2017.43949.1049
Artistic Images of Blasphemy in Holy Quran
morteza
ghaemi
هیات علمی دانشگاه بوعلی سینا - همدان
author
سید محمود
قتالی
کارشناس ارشد
author
text
article
2016
per
The Holy Quran is the book of life which has been sent down for intellectual, epistemic and moral development of humans. Describing all aspects of moral virtues and vices in full detail, The Holy Quran teaches humans how to live prosperously. Quranic words are based on images and scenes. Using illustrative style, The Holy Quran has introduced moral vices including idolatry, hypocrisy, unbelief, worldliness and so on in such a delicate way that makes their comprehension very easy for the audiences. In addition, by portraying the consequences and effects of sin, this Muslim Scripture wakes up humans and warn them not to get caught in the trap of sins. Blasphemy is one of the key words which have been scolded in The Holy Quran. Blasphemy, as a negative concept existing in stark contrast with faith, is considered as the exact cause of ruthlessness form The Holy Quran point of view. For a detailed explanation of blasphemy, The Holy Quran has benefited sensory, imaginary and real images in order to transfer its meaning, characteristics and atheists’ features to readers’ mind. The present study is aimed at examining the artistic images of the blasphemy in The Holy Quran to make the hideousness of blasphemy known as well as to explain a small part of the astounding beauty of artistic creations by The Holy Quran.
Religious Literature and Art
Islamic Sciences and Culture Academy
2538-5704
1
v.
3
no.
2016
39
65
https://jrla.isca.ac.ir/article_22875_1ee006f2a63f9cac423d08fe52797267.pdf
dx.doi.org/10.22081/jrla.2017.43861.1044
Comparative study of the literary style of the speeches and letters of Nahj Al-balagha
based on Buzyman Equation
نورالدین
پروین
مدرس دانشکده شهید محلاتی (ره)
author
جهانگیر
امیری
دانشیار گروه زبان و ادبیات عرب دانشگاه رازی کرمانشاه
author
text
article
2016
per
Statistical methodology is the most romantic and most accurate critical schools that empirical evidence replaces intuitive judgment. Buzyman equation is one method of statistical methodology which Buzyman, German scientist, first suggested in stylistics. According to Buzyman quantity of text literary or text separation from other types of text, by comparing the use of verbs can be explained in relation to the number of characters; the number of verbs be more, the text between literary style and approach is more passive. The ratio is obtained by dividing the number of the verbs to the adjectives. The present study by relying on statistical methodology of Buzyman aim to compare the speeches and letters of Nahj al-Balagha. Based on the data obtained from this equation, the sermons of Nahj al-Balagha, compared with letters are more passive approach and therefore are more literary. on, the sermons of Nahj al-Balagha, compared with letters are more passive approach and therefore are more literary.
Religious Literature and Art
Islamic Sciences and Culture Academy
2538-5704
1
v.
3
no.
2016
65
85
https://jrla.isca.ac.ir/article_22876_718135a371ac7cad6039a030c202c1e2.pdf
dx.doi.org/10.22081/jrla.2017.45924.1082
An investigation into the aesthetics of coherence based on the elements of poetry
A case study of the ode "Anaay Ghatla Altaf" by Seyed Haidar Helli in lamentation for Hussain Ibn Ali (AS)
صدیقه
زودرنج
عضو هیئت علمی دانشگاه بو علی سینا همدان
author
meisam
pooramiri
فارغ التحصیل کارشناسی ارشد زبان و ادبیات عربی
author
text
article
2016
per
Aesthetics review constitutes one of the important branches of contemporary literary criticism which is concerned with the valuation of the literary work using internal criteria and relies on the principles of coherence and coordination, unity, perfection, reinforcement and emphasis, innovation and inspiration, and complexity. Coherence and coordination is the basic element and the underpinning reason for the unity of poetry. Besides, it is deemed as the most fundamental element of aesthetics in a literary work. This principle is clearly manifested in Seyed Haider Helli`s (an elegy poet of Ahl al-Bayt -People of the House- in the nineteenth century) poetic language. His Elegy focusing on the element of emotion in lamentation for Imam Hussain (AS) is one of his most important odes. The present study employed an analytic-descriptive method to investigate the aesthetics of Seyed Haider Helli`s elegy based on the principle of coherence and coordination and relying on the elements of poetry. The findings indicated that the elements of poetry, music, language-phoneme, words and syntactic structures, emotion, imagination, and meaning were used relying on the principle of coherence and coordination so as to create a literary work which represents the poet`s inner thoughts. Further, the findings showed that the extant coordination in the ode is the product of the harmony between its infrastructure and superstructure elements.
Religious Literature and Art
Islamic Sciences and Culture Academy
2538-5704
1
v.
3
no.
2016
85
107
https://jrla.isca.ac.ir/article_22880_e28b5b2fba3b3611ff4c6a34765fe577.pdf
dx.doi.org/10.22081/jrla.2017.568.1036
Sermon -" Imam Sajjad (AS) -" Kufa -" Textual Texture-" Situational Texture
سید اسماعیل
حسینی اجداد
دانشگاه گیلان
author
text
article
2016
per
Discourse is a kind of literary criticism that deals with reading texts by different interpretations and its goal on one hand are the expression of beauties, imageries, effect on the reader, and the rate of innovation and creativity of text and on the other hand literary texts have different political, social, and cultural interpretations and commentaries because of being multi-layered. The main goal of the orator is the persuasion of participants. Because of this he should be familiar with criterions of pervasiveness, techniques of discourse, the quality of crystallization and formation of meaning and message of linguistic units in connection with the elements of textual (intralingual) and situational texture (extralingual) like social, political, and cultural textures so that he could use the manner of meaning development and its tools for persuading the audience. The sermon of Imam Sajjad (AS) was delivered after Ashura event and in a time when Kufian were weeping and remorseful under the influence of Zeinab (AS) and Um-Kolsom (AS) and laid the bases for the next revolts like Tavabin and Mokhtar revolts. This article shows that the discourse of his holiness (AS) is full of unique literal, rhetorical, and verbal features from a textual texture perspective. Using common words and concepts, using various techniques of persuasion like swear, emphasis, repetition, warn and encouragement, using the art of Ma’ani, Badi’e and Bayan, and also the suitability and accompaniment of structural and textual textures with situational textures has multiplied the influence of the sermon
Religious Literature and Art
Islamic Sciences and Culture Academy
2538-5704
1
v.
3
no.
2016
107
135
https://jrla.isca.ac.ir/article_22882_3ea6608f45f37faa0f3c1c37b179f14c.pdf
dx.doi.org/10.22081/jrla.2017.44286.1065
Art and its rhetorical function in the Qur'an,
حسنعلی
شربتدار
دانشگاه فرهنگیان سمنان
author
text
article
2016
per
The aim of the function of the literary images is to express the goals, effects and results of the artistic images in Quranic verses. The effects and functions of the artistic images in Quranic verses are investigable with more extensive dimensions of these images to express the religious ideas which are the main and constant guiding axis of the prophets in the history of mankind. The function of this purpose can be seen by using Quranic similes, metaphors, and ironies and using the kind of letters, the arrangement of the words and the syntax rules of the phrases in the various verses. The function of using the literary techniques for imaging the verses is to elucidate, explain, emphasize and to be expressive the meanings and ideas that are fully related with the context of the phrases and the images of these ideas and its meanings can be observed through the coherent relationships of the verses
Religious Literature and Art
Islamic Sciences and Culture Academy
2538-5704
1
v.
3
no.
2016
135
160
https://jrla.isca.ac.ir/article_22883_fef7a81e27b6e90505643e77aaf6f6de.pdf
dx.doi.org/10.22081/jrla.2017.44387.1068