tarkybband of stylistics of Esfarayeni and Mohtasham Kashani Azeri band tarkibband
Document Type : Original Article
Author
10.22081/jrla.2020.57338.1270
Abstract
tarkybband of stylistics of Esfarayeni and Mohtasham Kashani Azeri band tarkibband
One of the main poetic themes of the poets of the ninth and tenth centuries AH is religious, praiseworthy
and manqabat. Imitation and monologue became very popular among the poets of this period, and the tarkybband of the verse to tarkybband religious poems with the poetry of Mohtasham Kashani, the poet of the tenth century, reached its peak and flourished. Throughout the world, there are fewer Shiite Muslims who have not sung or whispered the tarkybband of Mohtasham Kashani's string, since the two poets spent some time of their poetic life in India. Esfarayeni is reminiscent of the ninth-century poet. This study tarkybband the stylistics between these two tarkybband of clauses in three levels: linguistic, literary and intellectual, and tries to enumerate the differences and similarities between the two and clarifies the reasons for the superiority of each of them as much as possible.
One of the main poetic themes of the poets of the ninth and tenth centuries AH is religious, praiseworthy
and manqabat. Imitation and monologue became very popular among the poets of this period, and the tarkybband of the verse to tarkybband religious poems with the poetry of Mohtasham Kashani, the poet of the tenth century, reached its peak and flourished. Throughout the world, there are fewer Shiite Muslims who have not sung or whispered the tarkybband of Mohtasham Kashani's string, since the two poets spent some time of their poetic life in India. Esfarayeni is reminiscent of the ninth-century poet. This study tarkybband the stylistics between these two tarkybband of clauses in three levels: linguistic, literary and intellectual, and tries to enumerate the differences and similarities between the two and clarifies the reasons for the superiority of each of them as much as possible.
Keywords
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